The TV miniseries opens in Gaul 72 B.C. where the Romans put an end to Varinia's world making her a slave… Meanwhile Spartacus (Goran Visnjic) is free from the hell of the gold mines of Egypt to be trained as gladiator in the establishment of Lentulus Batiatus (Ian McNeice).

Most of "Spartacus" contains many of the miniseries' best moments… The operation of the gladiatorial school and its training program is impressive and expressive; the apprentice gladiators are treated like special animals, tutored to perform in the arena as spectator-sport-killers, and occasionally rewarded with a woman in their cells…

In this degrading manner Spartacus meets Varinia (Rhona Mitra) and it is his love for her and his hatred for his captors that brings about his decision to escape and lead revolt…

Particularly effective is the scene in which Marcus Crassus (Angus Macfadyen) and his bored entourage visit the establishment and request for a private showing at its best of a pair of Thracians… Crassus wanted to see courage, passion, and above all finality…

Spartacus is matched with the African Draba in a fight to the death, but Draba (maybe rather than live as a beast) chooses to die as a man, attacking his spectators…

The scene summarizes the iniquity of the situation, the cruelty of bondage, and the subsequent uprising of gladiators in Capua becomes a triumph easy to understand…

Director Robert Donrhelm did a decent job, carrying the grandeur and the decay of ancient Rome

Goran Visnjic gave a very credible performance as Spartacus. Instead of the superhero-style portrayed by Kirk Douglas (which I happened to LOVE that movie), Goran added more depth to the character ... the strengths AND the weaknesses. I also liked how the show developed his skills as a gladiator by having him do some real fighting rather than how it was done in the original.

Crassus (played by Angus MacFadyen) was likewise very three-dimensional. It was a shame that the movie was only 2 hours long (4 hours if you count the commercials). Given more time, it would have been enjoyable to see more of Crassus's political maneuvering. If that character had been born in our century, he'd be king of our country by now.

And there were surprisingly strong performances by others in bit-parts, like George Calil as Pompey, Ben Cross as Glabrus, and Henry Simmons as Draba. You can see that they did their homework and put real work into their character developments.

All in all, I give it an '8'. I'd like to give it a higher score, but I thought that the fight scenes were less than spectacular. Add a few thousand more stand-ins and maybe it would have been more believable. But I just didn't get the sense of volume that should have been there.

This is a new version about the true story of gladiator Spartacus (Goran Visnjic), formerly adapted by Kubrick in a famed masterpiece. At the beginning , the Thracian slave laboring in harsh rock, when he's purchased by obese Battiatus(Ian McNeice in the role of Peter Ustinov). Brought back to Capua in a gladiator's school, he knows corpulent gladiator named Draba(Henry Simmons in the role of Woody Strode) and Jewish slave named David(James Frain). He escapes and stirs up all gladiators and slaves in a revolt(73 B.C.) against the power of Rome . Meanwhile he falls in love with Varinia(Rhona Mitra, Jean Simmons's role). After various generals (Ben Cross) are vanquished , the rebellion is put down by Crassus(Angus McFadyen in the role of Laurence Olivier)who confronts with wily old senator Agrippa(Alan Bates, in a similar role to Charles Laughton as Gracchus)and Pompeius. Ultimately the rebels are defeated and crucified along Via Appia, in a sea of crosses silhouetted against a sunset. Spartacus actually died in battle and his body was not found.

Spartacus history is imaginatively brought to life on impressive images with great production values and outstanding scenarios. Sword cross, drama, gladiators fights abound in this spellbinding adaptation on audacious Spartacus existence , one of the most rebels in the history. Magnificent climatic battle scenes , features by hundred real extras, adding computer generator soldiers. Although redundant to original movie , is a fitting description of Spartacus character, however is sometimes a shot for shot recreation but it doesn't insult the viewer's intelligence. It's all immensely epic, though predictable, as we have seen the former classic movie , but also its predictability is redeemed in part by the charismatic performances of excellent starring with flawless portrayals and all around with the best talent available. The film is dedicated to Howard Fast, novel's author, and Alan Bates, deceased during shooting.

The film is well directed by Robert Dornhelm, a miniseries expert, about historic events and characters, such as Archduke Rudolf and Mary Vetsera, Anne Frank, War and Peace, Ten commandments and even Rudy Giuliani. The Spartacus life was previously adapted by Riccard Freda(1952) with Massimo Girotti and Ludmilla Tcherina, the prestigious version by Kubrick and following with 'The son of Spartacus'(1962) by Sergio Corbucci and with Steve Reeves. The movie will like to people enamored for historic deeds and epic feats.