Love this film. I love it the way I love THE CURSE OF THE CAT PEOPLE (Frisch/Wise, 1942.) I shouldn't gush, but this film took me completely by surprise. I watched it on Hulu yesterday, April 24, 2015, for the first time; and, then, with my husband, watching, again, today. Today, it resonated even more anticipating what I knew about the plot, characters, and climax. Today, I was able to enjoy details I missed of which there were many.

The thing is: I knew, when I watched THE FIELDS for the first time, that it's a special film. It's not easily categorized. When Gladys says, "It's not the dead you have to be afraid, it's the living," or something to that effect, she basically gives the story away. But this film has been poorly described and promoted. Truly, here is what the Hulu summary says of the film: "Steven is sent to live in the countryside with his grandparents while his parents work through their troubles. Though his grandparents are happy to host him, they warn Steven not to enter the cornfields next to their house. When he does an EVIL awakens." That's garbage. No "EVIL awakens." This is the trouble with this film, particularly here at IMDb where I can only conjecture that the low-rating for this film is due to the fact that viewers approach this film with expectations that, most definitely, are not fulfilled. There are no zombies, vampires, devil children, or alien grays here. There's something worse. There's the living; and, beyond even that, there is the notion that not all "in-breds" are chainsaw-wielding former-meat butchers turned cannibal murderers.

Having been almost the exact age of Steven (Joshua Ormand) in 1973 and remembering the aftermath of the Manson murders as seen through the evening news...staying up after 11:00 pm with my parents and watching the Detroit-area television premier of NIGHT OF THE LIVING DEAD, perhaps in 1973...watching CARNIVAL OF SOULS (1963) on Saturday afternoon horror film programs...having relatives like Gladys--chain-smoking, cuss-like-a-sailor, kind and gentle and crazy funny--and,in retrospect, remembering how the "Summer of Love" turned sour, how there were Manson admirers and "hippies" really freaking out and becoming something of terrorists...suffice it to say, I "get" the horror of this film.

Then there are the references to folklore--the cornfield, the raven leading Steven into it for the first time, the stick hurled out from the corn like an elf-shot. There are the references to classic films and television with clips of DRAGNET and Webb mentioning a tragedy involving a grandmother and her grandson; CARNIVAL OF SOULS with Candace Hilligoss's Mary Henry coming upon "Saltair" for the first time and foreshadowing Steven coming upon "Bushkill Park"; and, NIGHT OF THE LIVING DEAD with its human-flesh eating, recently deceased attacking the farmhouse stronghold (remember the vulnerable back door of that black and white farmhouse kitchen?) foreshadowing the eventual attack on the farmhouse stronghold protecting Hiney, Gladys, and Steven. Then there is Manson and gang looming over all.

If you lived during those early days of the 70s, no matter if in a rural area or a suburb, and you remember stories about LSD-tripping babysitters roasting their chargers and just happened to have a grandmother who loved horror movies, you'll "get" this film. If you didn't live back then, no worries but just don't think that this a film along the lines of CHILDREN OF THE CORN, whatever-that-awful-movie-with-aliens-and-Mel-Gibson-was, or some new tread on Texas CHAINSAW MASSACRE because it just isn't.

On the negative side: The dark, metallic filter so commonly used and Tara Reid's wigs.

I usually don't write reviews to "counter" the writings of other critics, but I really feel that this movie deserves a better look than some people are giving it.

These days, people have a tendency to look up a movie and do a little reading about it before they watch it. This has pros and cons, the most significant con being that they see the words "drama" or "horror" and from that point on expect nothing but a drama or a horror. When they watch the movie and find that it does not conform itself to the labels, they complain.

Yes, this movie takes time to move, and yes you are not really sure where it's going, but boy oh boy does it ever make good at the end! The director and writers made the very excellent decision to bring in the terror at the last part of the film. This is the way it should be. THIS is how terror should be done. It's like an earthquake, hitting you when you least expect it, in a way you couldn't prepare for, knocking you off your feet. It doesn't need to make sense or "tie in" to anything else.

The first stretch of this film seems to be designed to put you off your guard, then hit you at the end. It works. It's effective. It gave me the chills. I would recommend watching it.

The Fields is a well made & acted atmospheric story. Despite a haunting box cover & description which advertises the film as a horror story, it is more of a boy's reflection on an incident which takes place on a farm where he is temporarily staying.

The movie takes place in the early 1970's when the Manson Family trial is all over the radio & television. Young Steven, who is living with his grandparents while his parents try to work out their marital woes, is curious about Manson & his followers. His curiosity turns to concern when he hears conversations about groups of hippies (who resemble Manson's followers) lurking in the area. He then discovers something terrible deep in the corn fields behind the house. Is the discovery a result of his imagination brought about by the current events of the time?

Thankfully for the audience, the threat turns out to be very real. Be prepared though: this movie is a slow burn. In fact, the boy's relationship with the grandparents (which takes up the bulk of the film) is actually more of a highlight than the action towards the movie's conclusion. Horror movie fans drawn in by the advertising art & description will have their patience tested with The Fields. It does emerge as a good story in the end though. Fans of this type of story are encouraged to seek out Paper House, which this film reminded me of.