I was already interested when I first heard about this documentary feature, but as someone who primarily watched fiction and especielly so on the theater, I gave it a pass for the time being.

When I heard it was nominated for the Swedish equailent of the Oscar, 'Guldbagge', my interest peaked once more, and I was able to catch it on TV.

For what it is, and as simply told it is, it's a very beautiful documentary. It's shot and edited very well and tells a very emotional and incredible love story, that was very interesting to be sure.

Overall, I would recommend it if you're looking for an interesting documentary. In that area, it's very incredible indeed!

Nelly & Nadine (2022) is a documentary film co-written and directed by Magnus Gertten. After the German defeat, a boatload of women who had survived the concentration camps were brought to Sweden. Someone filmed the event, and director Gertten has previously identified two people in the film and made movies about them. This is the third movie, and it involves two women--Nelly Mousset Vos and Nadine Hwang.

The two women met and fell in love in Ravensbrück concentration camp. They were separated, but both survived. Years later, Nelly's granddaughter contacted director Gertten, who made this meticulous documentary about a lesbian couple who traveled all over the world in order to be together.

Nelly & Nadine has a good IMDb rating of 7.3. I thought it was an outstanding movie, and rated it 10. We saw this film as part of Rochester's great ImageOut, the LGBTQ Film Festival.

At the end of World War II, a boatload of women survivors of Nazi concentration camps debarked in Malmo, Sweden, to begin new lives. Someone filmed this, and this is director Magnus Gerten third movie tracking down the stories of the women shown in that bit of film.

This one is an amazing and touching transcontinental Lesbian love story, spanning prewar literary salons, World War II resistance, survival in the concentration camps, separation, reunification, and a new life in South America.

Note to screenwriters: this would make a hell of a good fiction film, when you aren't constrained by what pictures happened to survive....