... this has to be ranked as one of the finest films about Acting as a Profession and Actors as human beings. Noel Coward gave us his own take on the subject in his 1960 play Waiting In The Wings and whilst he may have got more mileage out of his multi-layered title - "The Wings" is the name of the theatrical Retirement Home where Coward's actors wait to die and, of course, actors wait in the 'wings' of a theatre for their cue to enter - he didn't eclipse this great Duvivier-Spaak collaboration shot in the shadow of World War II which gives it yet another strata. Duvivier was at his best with large ensembles and here he excels once again with a cast largely unknown outside France with the obvious exception of Michel Simon, outstanding as the joker of the establishment but living a lie inasmuch as he spent his entire career as an understudy rather than an actual performer, and Louis Jouvet, the Errol Flynn-lite ageing swordsman. Whilst the ensemble may be relatively unknown to non-vintage French film buffs they will be a revelation to anyone stumbling on this movie by chance; Spaak and Duvivier chronicle all the minutiae of egos trapped by age and condemned to live out their days together like members of a Touring company in Blossom Time, back-biting, fighting over scraps of food, reliving their triumphs, boring others and being bored BY others. A barrel of laffs it's not but it IS a masterpiece. (Once again I am hugely indebted to the guy from Norway who is so generous with his massive film library.

Amazing, one of the best movies seen in years. Finding it was a total surprise, since I had never heard of it. Yet it should keep company alongside Renoir's "La Regle du Jeu" (also 1939) or Carne's "Hotel du Nord" (1938).

The story features the sharp edges of Wilder's "Sunset Boulevard" (1950) sanded down by the spirit of Leo McCarey. One of the rare, non-grating performances by Michel Simon. Also standouts from Victor Francen and Louis Jouvet. Francen in the 1930's already plays a senior citizen, yet he will appear in films of the 1960's looking hardly any different. Louis Jouvet, after starring in "Hotel du Nord" is at his best here as St.-Clair, an egotistical, sinister cad whose shortcomings are revealed with realism leavened by sympathy in the Duvivier-Charles Spaak script. Few actors have portrayed evil with the depth and complexity of Jouvet in this movie.

To describe any of the plot points would only detract from the experience of watching this movie. Relating just about any incident would amount to a sort of "spoiler", since I think I appreciated this film so much because I knew so little about it. Viewing should precede reading where this movie is concerned.

It is enough to say that "La Fin du Jour" belongs on any list of great movies.

The subject matter of the lively arts appears frequently on screen. If you like "La Fin du Jour", I could recommend "Floating Weeds" (1958) or "For Fun" (1993), members of the same family in spite of being many years and many miles away from Duvivier's world.

Probably Duvivier's pre-war peak.His pessimism reaches here such unbelievable heights that we're brooding all along the movie and long after having seen it.The subject is a depressing one:some kind of "sunset boulevard" of the theater.Located in an old people's home for actors and actresses ,most of them short of the readies.Humiliating to a fault,for those who have been legendary figures of the theater,once gods for an ungrateful public.Who remembers them now?Who remembers Norma Desmond/Gloria Swanson?

Duvivier's depiction of the house is cruel and ruthless:two old residents fighting because one of them had a bigger piece of sausage,shots in close-up of the tired,wrinkled,wizened faces,spiteful gossips,wickedness...

A menace hangs over the house as a sword of Damocles:their house might close soon,because they're running out of money,and they might be dispersed.Because,if the relationships ooze hatred,contempt,jealousy and rancor ,the greatest disgrace would be to end up in a ordinary old people's home with the riffraff.

Hope against hope survives among in this God-forsaken world:An old Don Juan (Jouvet) thinks that he's always a ladykiller .An actor (Michel Simon) who was all his life an understudy tries to shine on the stage for an ultimate night,but fails dismally.Another one,( Victor FRancen,the hero of "j'accuse")whose wife has always been unfaithful (she used to sleep with Jouvet),tries to end his life with dignity.

"La fin du jour" (the end of the day") is A hard time for everybody, but particularly for those who 've been adored by the masses,downfall is unbearable.Forgetting for once his legendary pessimism,Duvivier closes this somber meditation by a funeral:during this twilight glow scene,all the actors and actresses all stand together to say goodbye to one of them.Francen delivers a speech full of nostalgia and warmth.The show must go on,long live the show.

And long live Duvivier!!!!!