A soldier with a rich sexual fantasy and lots of time on his hands (or better said, with his hands). An obese man competing in eating contests. A taxidermist. What do they have in common? Well.. Quite simply put.. Part of their genes. They are, respectively, the grandfather, the father and the son. Welcome to Taxidermia, perversity grand central.

The film plays out in three parts. Starting with the soldier, followed by the obese man, followed by the taxidermist. At the end of each part the connection to the next is worked out, and it all makes sense, in a twisted way.Each of the parts is a barrel of laughs, dark and grim in its own. Often disgusting and revolting but most of the time just hilariously cynical.

Effects used are mediocre at best but that doesn't harm the film too much - it is mostly the comedy value that is to be appreciated. Way of filming is off the beaten track, but not so far that it becomes disturbing or genuinely brilliant.

Sick, gruesome and deviant. I love it.

9 out of 10 kilograms of lard eaten

• Don't watch this while eating
• Don't watch this with other people
• Don't watch this if there's even just a risk of people walking past the screen while it's on
• Don't watch this if surgery scenes make you squeamish
• Don't watch this if taxidermy creeps you out
• Don't watch this if full nudity makes you uncomfortable
• Don't watch this if you hate scenes where people vomit on-camera

Contrary to common belief, this film actually portrays three consecutive eras of Hungarian historical reality using visually shocking symbolism. The film starts with the final days of fascism where one oppressive extreme gives birth to an other directly opposite on the political scale. Communism was the bastard child of fascism, however there was a few years of discontinuity, hence the man of the flaming penis getting executed after laying his seed in the pig-woman. Why the flaming penis? Great 'balls' of fire, literally, enflaming the globe resulting in war of a global scale. The great jizz in the sky and paedophile fairytale setting-A self delusion thinking you can 'F' the world and manipulating your own population to further grotesque goals...Here little girl, put your hand over my heart. In all reality, it was a system that gave the big 'F' to its own people.

The second generation is the era of pig-boy, eating with both hands, consuming all he can and more. In historical terms it is what was once labeled as "Goulash Communism". After the '56 Hungarian uprising, communist leaders made the country the 'Happiest barrack', to avoid more trouble with the ever restless Hungarians. It was a communist style "Let the Hungarian eat cake". A nice touch in the film when the eating champion is told ahead that the Soviet will be the first and he himself can be second. Reality was, that as long as there is no '56 style open challenge to the system, you can have your private Hungarian world,within the barrack, as you like it.

The third generation is the taxidermist making a living out of prepping/propping up the decaying system. In all reality, there was no real political change in Hungary following the downfall of communism. Yes, communism ended in nominal terms, but the same leaders and their cronies stayed and held onto power. Working together with multinational companies, the World Bank and IMF, they successfully stuffed their own pockets while wrecking the local economy and enslaving the population. If you notice, the taxidermist is pale, almost bloodless with a fragile, sickly body. He lives alone among the stuffed animals-relics of the past. He is unable to attract the woman he likes-society of alienated individuals. He works out, almost fanatical, like a hamster locked in a ferris-wheel-expand all your energy, you will still never get ahead way. He still labours on and feeds his ungrateful father-the ever present oligarchs, the corrupt system that never ended, just got worse with the passage of time. The father fattens up cats kept behind bars, but when the gate is left open in a careless moment, the cats consume his gut. The symbol of fat cats: Bankers are often depicted as fat cats. Here the film comes full circle. It starts with Fascism and ironically the true definition of Fascism is the marriage of state and industry, business;in modern terms-Globalism: Fascism on a global scale. Political systems on the extreme are ultimately self-destructing, but not before they destroy their host society. At the end, the father is prepped with the cats displayed protruding from his gut-the system that literally ate itself. The doctor with the foetus is an abortionist. The tiny foetus, still in its embryonic state sports a pig tail. Pigboy and the system he represents is nothing more than a kitschy key-chain...the Hungarian population is also one of the fastest declining. The taxidermist preps himself in a 'Statue of David' style and his remains are admired in a futuristic setting by an artsy crowd-no future. It is self-sacrifice at the altar of utter helplessness. The missing head and arm-His knowledge alone was not enough to save him and his right hand-hand of righteousness, justice, itself. All that is left is a stuffed torso in the style of 'David', yet eerily reminiscent of the stuffed scarecrow of OZ. No heart, no brain, but all the knowledge and feelings of the world. A once great nation, a once great people, like so many before them, are reduced to a sideshow. Hungarians are not alone in this process. We can see the same unfolding in many countries the world over. Western societies are on a long decline as the ebb and tide of expansion and prolonged contraction of societies carries on.

Why 9 out of 10?

Simply put, perfection is a figment of imagination. Here is the long version: I feel, most of the meaning-symbolism gets lost on people raised on a steady diet of Hollywood and most see the sensationalistic, the grotesque, the demented and the fantastic without being able to put everything into context. Such people are not able to process the story presented the way it was meant to be. This film is filled with grotesque and disgusting scenes which is both culturally and historically specific. It was the only possible way to depict the full depth of the horror of past eras culminating in the present. Hungarians are disgusted and do think, all that is going on is a grotesque freak-show and this is what this film is all about. There are also discreet hungarianisms, puns and references that those not living in the culture would have difficulty noticing. At the end, such viewers see attention grubbing sensationalism only and either they love it purely for its visual effects or hate it, because they find it simply disgusting.