Whatever one's cinema tastes are, I think it is impossible not to appreciate this movie, marked by that sound Irish feeling for sound fun, but never disregarding some serious reflections. Two odd, newly married couples find at the same restaurant for their wedding receptions, where things will get confused, giving rise to misunderstandings, crises and final catharses. One couple is made up by Sally, in desperate need for money for her and her daughter, who has married Wilfred, a black man, in need of a citizenship, the other is the marriage between Freddie who has married who had already been his former wife, Sophie, and after a divorce and some psychoanalysis went to the altar for the second time, as a sort of last chance, with good intentions but no convictions. It s an intelligent movie, in the way it poses some questions on the real nature of marriage: despite the two major stories, also the minor characters will gradually question their relations and the meaning of their lives, and the hours spent in that restaurant will be revealing. It is interesting in the way, in the end women make the definite and resolute decisions, knowing they have to come to terms with their destiny with courage and strength, even if without a man, even against family pressure, whereas men never show any single sign of courage and determination, and just act according to women's choices. There are also some moving, but never pathetic moments, to be enjoyed as truly genuine. And the girl playing the little daughter, acting as a trait d'union between all these interrupted souls, is great. This movie proves how a well cast (both main characters and secondary ones) together with an intelligent script can make out an intelligent product, although not original in content, but certainly worth seeing as feel-good, genuinely entertaining and honest.

Maura (Sally Hawkins) is an Irish single mother to Molly (Sinead Maguire), a bright and energetic twelve year old. But, alas, times are not good and Maura is losing her furniture and, perhaps, her lease as money has dried up. Therefore, Maura enters into a fake marriage agreement with African immigrant Wilson (Ariyon Bakare). He will get to stay in the country; he will pay Maura 9,000. Also getting married for the second time is Freddie (Tom Riley) and Sophie (Jade Yurell), resulting in much apprehension; are they really doing the right thing? As luck would have it, these two couples take part in a dual marriage ceremony and hold receptions in the same building. Also on hand are a bevy of mixed up guests, parents, and, ho ho, two immigration officers who doubt Maura's wedding is real. As Maura crosses paths with Freddie, a lot, and Wilson tries to pass his girlfriend off as his sister, poor Molly gets more and more fed up as she realizes she's not getting a new dad, not really. How will this all shake down? This great Irish comedy-farce has charms for most fans of laughter and romance. Hawkins, Riley, Bakare, Yurell, and especially Maguire give fine performances while the supporting cast will keep everyone in stitches. How lilting, too, is the Irish way of speaking English while sets, costumes, script and direction fulfill every expectation of quality. Hallelujah, wanna get happy? Happily Ever Afters is bound to please.

Aloha! So I was sitting at home on a Saturday night looking through the "New Arrivals" section of my Netflix account when I stumbled across this movie.

It's funny, and a bit quirky at times. I loved it! Would be a great one to watch with my wife and the lack of noticeable profanity was very very appreciated.

Unlike other reviews, I enjoyed the plot thoroughly. Found the acting to be very good, especially Sally Hawkins, Tom Riley and Sinead Maguire. With Sinead totally stealing every scene she was in. Was a blast to watch and I am very happy I gave it a shot. Can't wait for my wife to see it!

Great job by all involved. I highly recommend this one for it's quirky chuckle factor. Fire up some microwave popcorn and enjoy!