Alain Delon is "Mr. Klein," a man profiting off the misfortune of French Jews during World War II in this 1976 film directed by Joseph Losey.

Robert Klein is man buying art work at severely reduced prices from desperate Jews, and for him, it's just business. When he receives a Jewish newspaper addressed to him, however, he becomes concerned, less he be suspected of being Jewish himself. His investigation leads him to another Robert Klein, who lived in reduced circumstances, supposedly resembles him, and whose new address has been given as Klein's own.

This is a fascinating film about how, in the end, we all become victims of prevailing injustice. There is a great deal of symbolism throughout; Delon's Klein becomes obsessed with the other Klein, and their lives become inextricably entangled.

After this film, you'll be left with many questions, for which there are probably several answers. Thus is the beauty of "Mr. Klein," a wonderfully directed and acted film. Delon, as an arrogant and confused man, has rarely been better. He is one actor who, due partially to a nice long life, has been able to extend his range beyond staggering good looks and play interesting, challenging characters; he is a producer of this film.

This is highly recommended and certainly a credit to the filmmaking skills of Joseph Losey as well as the taste and talent of Alain Delon.

Robert Klein cannot find any fault with the state of affairs in German-occupied France. He has a well-furnished flat, a mistress, and business is booming. Jews facing discrimination because of laws edicted by the French government are desperate to sell valuable works of art - and it is easy for him to get them at bargain prices. His cozy life is disrupted when he realizes that there is another Robert Klein in Paris - a Jew with a rather mysterious behavior.

Although Wisconsin-born director Joseph Losey integrates historical elements (such as the infamous Vel' d'Hiv Roundup) into the film, it is more than a reconstruction of the life and status of the Jews under the Vichy regime. The relationship of the film with the works of the writer Franz Kafka has often been noted.

The Kafka connection is what makes the film so enjoyable. The story on its own is good, though Klein comes off as a smug fool. Once his life enters the Kafkaesque pointless journey, it gets interesting. We may or may not feel sorry for him (he is not a sympathetic character), but we are interested to see where the mystery goes.

In 1942, in Paris, Mr. Robert Klein (Alain Delon) is a bon-vivant art dealer that exploits French Jews that need to raise money selling their artworks. When he receives a Jewish newspaper, he discovers that there is a homonym in Paris and he goes to the police to report the mistake. Soon Mr. Klein becomes suspect by the police that he might be Jew and he decides to carry out his own investigation but he does not find the other Mr. Klein. He needs to prove his origins to the authorities but becomes obsessed to find his double.

"Monsieur Klein" is a movie with an intriguing story of obsession, but also with a disappointing conclusion. The reconstitution of Paris in the 40's is perfect; the performances are great; but the conclusion is quite non-sense with the personality and behavior of the lead character. My vote is six.

Title (Brazil): "Mr. Klein"