I found She Monkeys to be a somewhat confusing film, meaning that the intent of the director was not readily apparent to me.

The tone of this film was more melancholic than playful. And foreboding. That is primarily because the main character, Emma, is a girl who purposefully hides her emotions. Because she is so stone-faced, it is difficult to know what she is thinking or to anticipate what she might do next.

This does add some suspense to the story. And it did keep me involved, wondering where the story was going next.

In the end, I did not find many truths or questions to reward my involvement. Technically, the film was well made. But emotionally, it left me wanting.

Swedish first-timer Lisa Aschan's She Monkeys is like Céline Sciamma's 2007 French coming-of-ager Water Lilies/Naissance des pieuvres, about two girls who bond around a challenging female sport, in Water Lilies water ballet, and here, equestrian gymnastics. There is a popular, or more confident, girl, and the more timid newcomer, though the distinction gets twisted along the way when the strong girl turns out not to be invincible. Here it's introverted Emma (Mathilda Paradeiser) and more experienced equestrian Cassandra (Linda Molin), who become playful friends, and later when Emma turns out to be strong and promising, rivals. This is different from the French film in that the two challenge each other to more real wrongdoing, and Emma has a seven-year-old sister Sara (Isabella Lindquist), whose desire to become a woman and precocious lust for her babysitter cousin Sebastian (Kevin Caicedo Vega) leads her to extravagances of her own. In fact when the energy begins to fade in the Cassandra-Emma relationship, Sara comes in handy by providing comic relief that also pushes boundaries a bit.

She Monkeys may push boundaries a bit more, but it is less successful at showing its two "girlfriends" in a real social context than the French film is. Nonetheless She Monkeys clearly establishes that Lisa Ashan, whose first feature this is as Water Lilies was Sciamma's, is a talent to watch with a distinctive style.

Apflickorna (the original title) is the fifth and last of a series of low budget first films chosen by competition for the Swedish Film Institute's Rookie Project. It won the Gothenberg, Sweden festival's Nordic film prize and critics' award. Seen and reviewed as part of the San Francisco film festival of 2011, this debuted in the US at Tribeca in 2010.

Alright, the DVD cover has actress Mathilda Paradeiser standing and holding a gun, which pretty much Sells the movie on a wrong Foundation. Sure there was a gun in the movie, but it wasn't a particularly big part of the story or the movie that it should be included on the movie cover.

While the acting of Mathilda Paradeiser (playing Emma) and Linda Molin (playing Cassandra) was quite good and nicely carried the movie, then they were not able to save the awful script and storyline. It was as if director Lisa Aschan was abruptly cut short before having the chance to tie the ends together and actually make this a coherent and interesting story.

"Apflickorna", its original Swedish title, is unfathomably slow paced and took an hour and twenty-four minutes to tell almost nothing. There is a sort of beaten down and depressing sensation all throughout the entire movie, which in itself was a good achievement in setting the mood.

It was a struggle to get through this movie, and the constant hope of it picking up pace and becoming entertaining just never rooted and took place.

Now watched, this movie will be put on the shelf to gather dust and slowly fade into oblivion.